PILINSZKY JÁNOS: MILYEN FELEMÁS

Milyen felemás érzések közt élünk,
milyen sokféle vonzások között,
pedig zuhanunk, mint a kő
egyenesen és egyértelműen.

Hányféle szégyen és képzelt dicsőség
hálójában evickélünk, pedig
napra kellene teregetnünk
mindazt, mi rejteni való.

Milyen megkésve értjük meg, hogy a
szemek homálya pontosabb lehet
a lámpafénynél, és milyen
későn látjuk meg a világ
örökös térdreroskadását. http://ift.tt/1RQdMAn

//…Hossein Zare…//
Iranian photographer Hossein Zare presents a powerful series of black and white pictures that symbolize our journey through life. Stripped of unnecessary details, his photographs gives you the bare feeling of undefined destination in life, represented by the traveling man and other metaphors of life, such as a tree or a road. The concise titles of the photos (“In Vain”, “To…”, “Distance”) make them even more eloquent. A gallery definitely worth exploring!
500px: http://bit.ly/1ZcGZWT
fb: http://on.fb.me/1Jn76Vd
via: http://bit.ly/1Jn75km http://ift.tt/1SQ8VA6

//…Francesca Woodman…//
At the age of thirteen Francesca Woodman took her first self-portrait. From then, up until her untimely death in 1981, aged just 22 she produced an extraordinary body of work (some 800 photographs) acclaimed for its singularity of style and range of innovative techniques. Woodman studied at Rhode Island School of Design, from 1975 – 1979, receiving a grant to spend a year in Rome to continue her studies. Whilst there she produced an extensive body of work and had her first solo exhibition at a bookshop and gallery specializing in Surrealism and Futurism. http://ift.tt/1TXvUrb